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I am interested in what or who is not there, what I can't quite
see and the helplessness of not being able to 'ground' an image
in a time line.
If something moves the viewer or I is it something more than social
conditioning? Is there an innate aspect involved? Is there a transference
that occurs when darkness and danger are implied?
What preconceptions do the viewer and I bring to the experience?
How does scarcity, complexity and proximity in both content and
composition inform this process?
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drei was first exhibited at Breadbox
Gallery from April 18-May 04, 2008 as part of the FotoFreo
2008 Perth programme.
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As part of the first full exhibition of drei, a limited
edition book was also produced featuring the full
series, statements and
essays from Paola Anselmi & David
Bromfield.
Read more...
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All images © Christopher Young 2006-08.
No usage without permission.
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drei #111

1000mm x 700mm Lightjet Print. Edition of 10 (2006)
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